My first four-way

(No, this blog is not about to turn into a sordid and prurient confessional.)

There was a conversation this morning on Twitter that involved users @jasonsanford, @SFDiplomat and @lavietidhar and myself. Beyond the interesting content (which I'll summarise in a minute), what struck me was that as more people became involved and were CC'ed in the comments, there was almost no room left in the 140 character tweets for any argumentation. This also highlighted for me how, although you *can* get sophisticated ideas across in this short form, it is also highly prone to misunderstandings and violent agreements.

This conversation began with the concern that many small short fiction venues have very few readers (except for hopeful authors, who to be fair should not be dismissed from the legitimate audience), leading to a perception that short fiction publication means very little to a writer's career/reputation. I wondered if the solution (in the fantasy world in which any of us could execute such strategies) would be to make publications more selective--and therefore smaller--or to reach out further to a new readership. A third option was offered: to stop considering short fiction as marking a "published author", but rather something that any hopeful can do. This led to a side argument, based I think upon some misunderstanding of the tone of that suggestion, about the value of short fiction, and this is about as far as the conversation got so far.

I think this is a valuable discussion (although not, of course, a new one), and I hope we'll get the chance to take it forward sometime. The question is not that short fiction is worthless, of course (at least, we'll not waste our time on anyone who argues that), nor that we should be policing who is a serious author or not. I'm not too concerned that people with lots of publications in tiny venues have resumés that look more impressive than they are (I think we can all tell the difference, even in the rare occasions when we need to look at such indicators). But if there really is a problem with the genre short fiction market being "saturated", then the solution is either to increase capacity (potential readers) or reduce flow (publish less stories). The first is more desirable, but obviously hard. The latter would involve more selectiveness (no bad thing), but is actually impossible, since the Internet allows anyone to publish anything and everything.

Selectiveness would have to take place at the point when we look at the resumé and decide what we think it means. We could apply rules such as the SFWA do: that only certain venues qualify as "professional" (although I'd prefer to see a rule involving how selective a venue is rather than how much they pay--or is the size of readership a better metric). Coming from an academic background, I instinctively cringe from all such metrics, knowing as academics do how meaningless they are. A self-published essay or blog post can be just as important and influential as a peer-reviewed and print-published chapter, and no metrics can take account of that. So we're back to where we started--we judge an "author" by what they write, not where they've been published. I mean, do we need to judge or label "published authors" at all, anyway?

Sein und Werden reopens to submissions with Pharmacopoea

Rachel Kendall writes:

Sein und Werden
volume 7 issue 1

submissions deadline: 20th December 2010

HEAR YE! HEAR YE! Sein und Werden is rattling her chains, knocking on her coffin lid and screaming YOUR name. She wants out. She'll take a Pheonix-rising or a zombie-calling. Whether dead or alive, Sein is about to be re-generated, re-animated and re-frigerated for your visual pleasure. The deadline for submissions is 20th December 2010 with a plan to re-launch in January 2011.

Sein und Werden has been through a slew of changes, has tried on various different hats, and has enjoyed a number of dance partners since its inception in 2004. The only difference now is that from this forthcoming issue the zine will be numbered by its correct volume, beginning with vol 7 in 2011, as the 7th year Sein has been running (not counting  the 2010 haitus) and this first issue (January to March) will be called, yes you've guessed it, issue 1. There will still be 4 issues a year , published in January, April, July and October both online and in print.

Hadley Rille books

Message forwarded for Brandon H Bell (feel free to recirculate):

Open Letter to my favorite bookseller/library (and a heads up to fellow readers!)

Hadley Rille Books is about to celebrate it's 5th year as a small press publisher. With anthologies edited by Gregory Benford and Jay Lake, this publisher is on the vanguard of genre fiction's "Indie scene".

And like Indie music, some of the best novels and story collections come from small publishers like Hadley Rille, who labor, certainly in hopes of financial success, but foremost out of love for and aspirations toward producing great genre fiction.

Here's a chance for you to give this small publisher a chance to shine.

November 29th marks Hadley Rille's 5th anniversary and on that day they are releasing The Aether Age: Helios anthology.

This is an exciting and innovative shared world/ Creative Commons licensed project that imagines an industrialized ancient world, circa 600-100BCE (with more surprises). It includes a detailed time-line, era quotes, and a book club guide to accompany the stories. Each story has an illustrated title page, including some by the cover artist M.S. Corley.

Please consider ordering the anthology in either trade paperback or hardcover versions. Available through Ingram, Baker & Taylor, and Follett (as well as direct from the publisher), fully refundable and with standard discounts. Set up an order directly with the publisher at contact@hadleyrillebooks.com. Pre-orders available now.

Sincerely,

One of YOUR fans...

ISBN # ----------------------------------------
978-0-9827256-7-2 Trade Paperback
978-0-9827256-8-9 Hardcover
-------------------------------------------------

Call for Submissions: The Monster Book for Girls

Terry Grimwood is circulating the following announcement:

Dear All

While helping a friend clear out her parents' effects, recently, I stumbled on a tatty old pre-war tome called "The Monster Book for Girls". It was adorned with pictures of jolly school lasses wielding hockey sticks and was full of “thrilling adventure stories for girls”. I loved the title so much I’ve stolen it for a new Exaggerated Press anthology.

First it is not a book for teenagers or children.

What I’m looking for are stories inspired by the title, whatever (within the realms of decency, the title does, I’m afraid lend itself to a bit of nudge-nudge, wink-wink- sordidness) springs to mind and kick-starts the creative engine.

It doesn’t even have to be of the horror/fantastical genre. What is a monster anyway? Slipstream, thriller, romance, a mixture of genres would be interesting, whatever floats your (and my, of course) boat

Be warned; I don’t want (or like) teenage vampires, vampire angst or zombies or any other over-their-sell-by-date beasts. High-ish fantasy might be okay as long as it is original and features no grumpy dwarves or ethereal elves. Please don’t hurt children or gratuitously torture women (or men come to that).

Length: 5000 words max, but I will negotiate if absolutely necessary. Pays: Royalties only. Once publisher's initial expenses are covered, 100% of takings will be divided between the contributors. Submission deadline: 27th February 2011.

Submit as an RTF attachment to mbfg@hotmail.co.uk

Regards
Terry Grimwood

New Issue: 2010.21

And other people have remembered, and they come back to us, they say, “Hey–don’t worry, don’t be afraid, ever, because this is just a ride...” And we... kill those people.
-- Bill Hicks

Issue 2010.21

• ‘How You Make the Straight’, RJ Astruc (illustrated by Eric Asaris)
• ‘The Issuance of One Hundred and Thirty-Six ’, Mark Harding (illustrated by Cécile Matthey)
• ‘This is What I Look Like Now’, Sara Hosey (illustrated by G. Edwin Taylor)
• ‘Drafting Zoë’, Kelly Jennings

Download printable issue : PDF : ZIP

New Issue: 2010.20

I am said to be a revolutionist in my sympathies, by birth, by breeding and by principle. I am always on the side of the revolutionists, because there never was a revolution unless there were some oppressive and intolerable conditions against which to revolt.
-- Mark Twain

Issue 2010.20

• ‘Silence’, Alex Fleetwood (art by Teresa Tunaley)
• ‘Titanium and Silk’, Nick Poniatowski (art by Rebecca Whitaker)
• ‘Merlin's Dolphin’, Erika Tracy (art by Miguel Santos)

Download printable issue : PDF : ZIP

New Issue: TFF 2010.19

Надо изображать жизнь не такою, как она есть, и не такою, как должна быть, а такою, как она представляется в мечтах.
(Life should be shown not as it really is, nor as it ought to be, but rather as it would be in our dreams)
—Anton Chekhov, The Seagull

Issue 2010.19

• ‘Drown or Die’, Therese Arkenberg (art Cécile Matthey)
• ‘Reflection’, Jessica E. Birch (art Carmen Moran)
• ‘Fragmentality’, Sandra M. Odell (art Bonnie Brunish)
• ‘Silent Song’, Wendy Palmer (art Robin E. Kaplan)
• ‘Daughters of Hralln’, C.L. Rossman (art Rachel H. White)

Download printable issue : PDF : ZIP

New Issue: TFF 2009.18

The man who doesn't read good books has no advantage over the man who can't read them.
--Mark Twain

Fiction

• Nasmina's Black Box, Jennifer Marie Brissett (artwork by Rhiannon Rasmussen-Silverstein)
• Maryann Saves the World, Michael J. DeLuca (artwork by Carmen Moran)
• All the Way, Graham Storrs (artwork by Sarah Cerulean)

Download printable issue: PDF : ZIP

New Issue: TFF 2009.17

Homme, es-tu capable d'être juste?
C'est une femme qui t'en fait la question; tu ne lui ôteras pas du moins ce droit. Dis-moi? Qui t'a donné le souverain empire d'opprimer mon sexe? Ta force? Tes talents? [...] L'homme seul... veut commander en despote sur un sexe qui a reçu toutes les facultés intellectuelles; il prétend jouir de la Révolution, et réclamer ses droits à l'égalité, pour ne rien dire de plus.
—Olympe de Gouges, Déclaration des droits de la femme (1791)

Fiction

• The Overdue Protocols, Alexander Burns (art by Rebecca Whitaker)
• Neap Tide, Don Norum (art by Robin E. Kaplan)
• Shadows in the Mirror, Todd Thorne (art by Christina Cartwright)
• Wingspan, Aliya Whiteley (art by Martin Hanford)

Download printable issue : PDF : ZIP

New Issue: TFF 2009.16

Men might regard economic equality with favor or disfavor, according to their economic positions, but every woman, simply because she was a woman, was bound to be for it as soon as she got it through her head what it meant for her half of the race.
—Edward Bellamy, from Equality (1897)

• Wings So Foreign, Frank Ray Ard (art by Arianna Ciula)
  
• The Contractor, Terry Grimwood (art by Teresa Tunaley)
• Galatea's Stepchildren, Sam S. Kepfield (art by Rachel H. White)
• Only the Dogs Bark, Dawn Lloyd (art by Bonnie Brunish)
• 10%, Edward W. Robertson (art by Douglas Draper)
  
• The Recycled Man, part 2, Rob Sharp (art by Cécile Matthey)

Download printable issue : PDF : ZIP

New Issue: TFF 2009.15

There is no solution except the freedom of woman—which means, of course, the freedom of the masses of the people, men and women, and the ceasing altogether of economic slavery.
— Edward Carpenter (1896)

• Respite Time, Eric Del Carlo (illustrated by Paul Downes)
• The Transmigration, Nader Elhefnawy (illustrated by Joy E. MacMillan)
• Ephemeral Love, Melanie Rees (illustrated by Miguel Santos)
• The Recycled Man, part 1, Rob Sharp (illustrated by Carmen)

Download printable issue : PDF : ZIP

Full issue and editorial at http://futurefire.net/2009.15/

New Issue: TFF Issue 2008.14

Article 5. No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.
-- The Universal Declaration of Human Rights. Adopted and proclaimed by General Assembly resolution 217 A (III) of 10 December 1948.

• Until the Pit is Dug for the Wicked, John Kratman (artwork: Cécile Matthey)
• A Rock by Any Other Name, Rick Novy (artwork: G. Edwin Taylor)
• Less Than the Sum of the Movable Parts, Richard Thieme (artwork: Christina Cartwright)

Download printable issue: PDF

Full issue and editorial at http://futurefire.net/2008.14/