Showing posts with label underrepresented viewpoints. Show all posts
Showing posts with label underrepresented viewpoints. Show all posts

Tuesday, 12 November 2013

Guest post: Ways of Seeing

Guest post by Stephanie Saulter

I’ve been enjoying the stories in the We See a Different Frontier anthology of postcolonial science fiction, and thinking about how I could contribute to the blog carnival that the editors had devised to accompany its release. I’d already written about the constraints on expectation, the presumption of a small and specific sphere of interest, that marginalised cultures can have for the literary output of their own people, and I didn’t want to repeat myself. I’m also aware that, as a person of relative privilege within both my birth country of Jamaica and my adopted homeland of the UK, I’m not particularly well-placed to rail against inequity. Besides, the big injustices are easy to spot. It’s harder to unpick the small, everyday presumptions about what is standard and what is strange, the subtle and mostly unremarked prejudices that inform judgements and guide aspirations.

Given that the ethos of the anthology is to shift the reader’s perspective from the dominant to the dominated, I thought I would write about just how challenging that can be, both in life and in fiction; and how important it is to explain and persuade, when sometimes what we really want to do is bludgeon and blame. But I couldn’t quite find a way in to what I wanted to say; it all felt a bit amorphous, as difficult for me to pin down in prose as it can be to identify in action.

And then I went to Bristolcon, and had a conversation that brought it all into very sharp focus.

Monday, 1 April 2013

Recommend some non-straight/white/male/anglo SFF anthologies

When looking for new speculative fiction by or about people other than the generally over-represented straight, able-bodied, white, anglophone, rich, cis male, my search began with looking at themed anthologies in the area. Stories I liked, I looked for more by the authors; other magazines an anthologies they were in, novels by them, etc. By way of the beginnings of a reading list for others trying to do the same thing, I'll try to compile here a list of anthologies that specifically cater to SF/F fiction and/or criticism by, for or about women, quiltbag, people of color, etc. This is a very incomplete list; I'll add more as and when suggestions or corrections are made in the comments, via Twitter or email (the more intersectional the better).
  • Jack Dann, Wandering Stars: an anthology of Jewish fantasy and science fiction. Harper, 1974. (Also More Wandering Stars, 1981)
  • Pamela Sargent, Women of Wonder: Science Fiction Stories by Women About Women. Random House, 1974. (Also More Women of Wonder, 1976 and The New Women of Wonder, 1978.)
  • Virginia Kidd, Millennial Women. Delacorte Press, 1978.
  • Camilla Decarnin, Eric Garber and Lyn Paleo, Worlds Apart: An Anthology of Lesbian and Gay Science Fiction and Fantasy. Alyson Publications, 1986.
  • Janrae Frank, Jean Stein and Forrest J Ackerman, New Eves: Science Fiction about the Extraordinary Women of Today and Tomorrow. Longmeadow Press, 1984.
  • Pamela Sargent, Women of Wonder, the Classic Years: Science Fiction by Women from the 1940s to the 1970s. Mariner, 1995.
  • Pamela Sargent, Women of Wonder, The Contemporary Years: Science Fiction by Women from the 1970s to the 1990s. Mariner, 1995.
  • Eric Garber and Jewelle Gomez, Swords of the Rainbow: Gay and Lesbian Fantasy Adventures. Alyson Publications, 1996.
  • Lawrence Schimel, Things Invisible to See: Gay and Lesbian Tales of Magic Realism. Circlet Press, 1998.
  • Helen Merrick and Tess Williams, Women of Other Worlds: Excursions Through Science Fiction and Feminism. University of Western Australia Press, 1999.
  • Debbie Notkin, Flying Cups & Saucers: Gender Explorations In Science Fiction & Fantasy. Edgewood Press, 1999.
  • Nicola Griffith, Bending The Landscape: Science Fiction v. 1: Original Gay and Lesbian Writing. Overlook Press, 2000. 
  • Lee Martindale, Such A Pretty Face. Meisha Merlin, 2000.
  • Sheree R. Thomas and Martin Simmons, Dark Matter: A Century of Speculative Fiction from the African Diaspora. Warner Books, 2000.
  • Connie Willis and Sheila Williams, A Woman's Liberation: A Choice of Futures by and about Women. Warner Books, 2001.
  • Andrea Bell and Yolanda Molina Gavilan, Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain. Wesleyan University Press, 2003.
  • Lucy Sussex and Judith Buckrich, She's Fantastical: The First Anthology of Australian Women's Speculative Fiction, Magical Realism, and Fantasy. Sybylla Co-operative Press, 2003.
  • Nalo Hopkinson and Uppinder Mehan, So Long Been Dreaming: Postcolonial visions of the future. Arsenal Pulp Press, 2004.
  • Sheree R. Thomas, Dark Matter: Reading the Bones. Aspect, 2004.
  • Richard Labonte and Lawrence Schimel, The Future is Queer. Arsenal Pulp Press, 2007.
  • Justine Larbalestier, Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Wesleyan University Press, 2006.
  • Gene van Troyer and Grania Davis, Speculative Japan: Outstanding Tales of Japanese Science Fiction and Fantasy. Kurodahan Press, 2007. (See also Speculative Japan 2: The Man Who Watched the Sea, 2011 and Speculative Japan 3: Silver Bullet, 2012.) 
  • Muhammad Aurangzeb Ahmad and Ahmed A. Khan, A Mosque Among the Stars. ZC Books, 2008. 
  • Lynne Jamneck, Periphery: Erotic Lesbian Futures. Lethe Press, 2008.
  • Catherine Lundoff, Haunted Hearths and Sapphic Shades. Lethe Press, 2008.
  • Paolo Chikiamko, Ruin and Resolve: Pinoy SF for Charity. Rocket Kapre Books, 2009.
  • Lavie Tidhar, The Apex Book of World SF. Apex Publications, 2009, and Apex Book of World SF 2, 2012 (ABWSF 3 forthcoming 2014).
  • Connie Wilkins, Time Well Bent: Queer Alternative Histories. Lethe Press, 2009.
  • Derwin Mak and Eric Choi, The Dragon and the Stars. DAW Books, 2010.
  • JoSelle Vanderhooft, Steam-Powered: Steampunk Lesbian Stories. Torquere Press, 2010. (Also Steam-Powered 2, 2011)
  • Paolo Chikiamko, Alternative Alamat: Stories Inspired by Philippine Mythology. Rocket Kapre Books/Flipside, 2011. 
  • Kay T. Holt and Bart R Leib, Fat Girl in a Strange Land. Crossed Genres Publications, 2011.
  • Catherine Lundoff and JoSelle Vanderhooft, Hellebore and Rue: Tales of Queer Women and Magic. Lethe Press, 2011.
  • Lee Martindale, Ladies of Trade Town. Harphaven, 2011.
  • Helen Merrick, The Secret Feminist Cabal. Aqueduct Press, 2011.
  • Tobias S. Buckell and Joe Monti, Diverse Energies. Tu Books, 2012.
  • Grace Dillon, Walking the Clouds: An Anthology of Indigenous Science Fiction. University of Arizona Press, 2012.
  • Kay T. Holt, Winter Well: Speculative Novellas About Older Women. Crossed Genres Publications, 2013.
  • Eduardo Jimenez Mayo and Chris N. Brown, Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic. Small Beer Press, 2012.
  • Michael M Jones, Scheherazade's Facade. Circlet Press, 2012.
  • Hannah Kate, Wolf-Girls: Dark Tales of Teeth, Claws and Lycogyny. Hic Dragones, 2012.
  • Jason Erik Lundberg, Fish Eats Lion: New Singaporean Speculative Fiction. Math Paper Press, 2012.
  • Nick Mamatas and Masumi Washington, The Future is Japanese. VIZ Media, 2012.
  • Brit Mandelo, Beyond Binary: Genderqueer and Sexually Fluid Speculative Fiction. Lethe Press, 2012.
  • Alicia McCalla, Possibilities. ffpincolor books, 2012.
  • Anil Menon and Vandana Singh, Breaking the Bow: Speculative Fiction Inspired by the Ramayana. Zubaan Books, 2012.
  • Radcliffe and Stacia Seaman, Women of the Dark Streets: Lesbian Paranormal. Bold Strokes Books, 2012.
  • Charles Tan, Lauriat: A Filipino-Chinese Speculative Fiction Anthology. Lethe Press, 2012.
  • J.Y. Yang and Joyce Chng, The Ayam Curtain. Math Paper Press, 2012.
  • Athena Andreadis and Kay Holt, The Other Half of the Sky. Candlemark and Gleam, 2013.
  • Josie Brown, Daughters of Icarus: New Feminist Science Fiction and Fantasy. Pink Narcissus Press, 2013.
  • Milton Davis and Balogun Ojetade, Steamfunk! MVMedia, 2013.
  • Milton Davis and Balogun Ojetade, Ki-Khanga: The Anthology. MVmedia, 2013.
  • Ivor W. Hartmann, AfroSF: Science Fiction by African Writers. Storytime, 2013.
  • Nisi Shawl, Bloodchildren: Stories by the Octavia E. Butler Scholars. Carl Brandon Society, 2013.

Annual anthologies:

  • Heiresses of Russ (various editors). Lethe Press, 2011-. Annual anthology of best lesbian speculative fiction from previous year.
    • cf. Wilde Tales (annual anthology of gay SFF).
  • Dean Francis Alfar and Nikki Alfar, Philippine Speculative Fiction. Kestrel. 2005-.
  • Sword and Sorceress
  • Warrior Wisewoman

Magazines/Journals:

 Publishers:

  • Crossed Genres Publications (multiple themes, but all books and magazine also promote inclusiveness and underrepresented groups)
  • Dagan Books (ditto)

    Sunday, 9 September 2012

    We See a Different Frontier CFS: extended deadline

    As announced three months ago, we are seeking submissions for a colonialism-themed anthology of new stories told from the perspective of those with experience of colonization or postcolonial cultures, titled We See a Different Frontier, to be guest edited by Fabio Fernandes and published by The Future Fire. (See the original Call for Submissions for all rules and pay scale.)

    The call for submissions was due to close one week from today. We have received many excellent submissions in this time, but we would like to give more authors who have not yet had a chance to write a story on this theme, particularly authors with underrepresented perspectives (including those whose first language may not be English) the opportunity to do so. Rather than offer this extension of the submissions deadline only to a few authors who have already asked for it, we are keeping the reading period for this anthology open for a few weeks longer, until October 31st 2012.

    All stories that are currently held for further consideration will remain in our shortlist until this new closing date, at which point we will make our final decision about the contents of the anthology.

    Thursday, 5 April 2012

    We See a Different Frontier - fundraising

    Today we've started raising money for a themed issue of TFF, tentatively dated for the end of 2012, to be titled We See a Different Frontier. If we're able to raise enough money, this will be a professional rate-paying anthology of colonialism-themed speculative fiction from outside the First World perspective, guest co-edited by Fabio Fernandes (who talks about the rationale of the idea on his blog).

    If you feel this would be a worthwhile project to support, you can donate at this page:
    All donations, however modest, are genuinely appreciated. Even if you can't spare the money, it would be great if you could help to signal boost this appeal: blog it, tweet it, facebook/g+ it, email your friends about it, shout it in the market, slip fliers into books or onto café tables, bribe young attractive people to mention it casually to strangers in nightclubs...

    We're going to be pushing this quite hard over the coming few weeks, with guest posts, interviews, videos, giveaways, contests, gimmicks and whatever else we can think of. We might add new rewards by popular demand. If you have any ideas for things we can do, or that you can do to help, please give us a shout. If you'd like to guest blog for us, appear on video explaining why non-Western SF is important, offer some goodies as a further reward or giveaway, we'd love to hear from you.

    I'll quote the full description from the appeal:
    Colonialism is still a thorn on the side of humankind. Many of the problems of the Third World, for instance, are due to the social-political-economic matrix imposed on its countries by the First World countries since the 17th century (e.g. the manufacture by European powers of arbitrary borders and tribal conflicts in Africa, and then the creation of Arab countries to defeat the Ottoman Empire in WWI). The balance of power is changing in the 21st Century, but it's still essential to look back if we want to truly understand the forces at play in the political and cultural panoramas of Third World countries—and even in countries that hardly can be labeled as Third World, like the BRICS (Brazil, Russia, India, China, and South Africa).

    Much widely distributed science fiction and fantasy is written by American and other Anglophone authors, and treats subjects close to the hearts of straight, white, English-speaking men. There's nothing wrong with this sci-fi itself—we love lots of it—but there's clearly something missing. Having white Anglo cis/hetero/males as (the only) role models is not an option any more. We aim to redress this balance, not only by publishing speculative stories by people with different viewpoints and addressing concerns from outside of the usual area (see World SF), but also by explicitly including fiction that addresses the profound socio-political issues around colonisation and colonialism (see Race in SF). We want to see political stories: not partisan-political, but writing that recognizes the implications for real people and cultures of the events and actions that make up science fictional or fantastic histories, as well as our own history.

    For this anthology we will be looking for stories from the perspective of people and places that are colonized under regimes not of their choosing (in the past, present or even future). We are not primarily interested in war stories, although don’t completely rule them out. We are not interested in stories about a White Man learning the error of his ways; nor parables about alien contact in which the Humans are white anglos, and the Aliens are an analogue for other races. We want stories told from the viewpoint of colonized peoples, with characters who do not necessarily speak English, from authors who have experience of the world outside the First World.

    We want to raise at least $3000 so that we can make this a professional rate-paying anthology for authors and artists from outside of the mainstream. All editorial and technical work will be carried out for no pay, but we feel strongly we should pay authors fairly for their work. This money will cover the cost of paying around $250 for each of 7-8 stories, plus a cover artist, publicity and advertising, review copies, rewards for donors, etc. All profit from sales of the anthology will be paid to the contributors as royalties. If we raise more than this, we can buy even more stories and/or pay even more professional rates to the authors. If we don’t quite make it, we’ll still publish this great anthology, but it may not be as large, as great, or as professional.
    The call for submissions will follow at the end of this fundraising process (in early June), at which point we will be able be able to tell you how much we are going to pay for fiction, what other specific eligibilities and  requirements there will be, and so forth. In the meantime, help to make this a great anthology to submit to by spreading the word now!