Vilo Moja, goes something like this: “Almost every time when we look at one another, you don’t greet me back, as if we don’t know each other. You are my dream, but it would be easier if you were a stranger to me, if I did not know you.”
And in another one, Projdi Vilo, the man asks the elfin being to come to him, with her body, down the chain from his heart, to take the seed from his thirst and conceive the child of his blood. So, they both speak of a great yearning to be closer to such a being; this could come from a recognition of the fact that the elves can shine through people, that they are a part of us. Then, there is also a yearning for fae realms, for far-off lands that promise an air of freedom.
stories to tell. But such stories can be also disappointing, because they lack the magical element of their gazing into the sea. Therefore, one can find even theoretic fantasies more pleasing when they say that the elves are an ancient civilization of this planet, that they are a consciousness helping nature shape the world. And when we as people stare into the sea, we find this ocean of nature’s consciousness inside us, but at the same time, we still yearn for it, for the lost ability to be completely immersed in it—and for the future possibility to be able to find it a way that has never been there before.
Suggestions for further reading:
- Transformation of Sensuality in the Slovenian Ballad of Lepa Vida (Lovely Vida)
- Intertextual Representations of Longing and Temptation
- Longing, Weakness and Temptation: From Myth to Artistic Creations
Urša Vidic’s “Mimikrija” (both in the original Slovenian and translated as “Mimicry”) can be found in Fae Visions of the Mediterranean.