We’re very happy to share the TOC of the anthology celebrating ten years of The Future Fire magazine, which will be out next month in print and e-books from all the usual places. We think you will love TFF-X, as we do, with its mix of stories you may have seen before (if you’ve been reading TFF loyally for the last decade), and many new pieces of irreverent, experimental and unexpected content… We couldn’t have done this without these amazing authors, and especially you beautiful readers. This ones for you.
Nasmina’s Black Box • Jennifer Marie Brissett
The Taste of Their Dreams • Margo-Lea Hurwicz
Shadow Boy and the Little Match Girl • C.A. Hawksmoor
Flight of a Sparrow • Jocelyn Koehler
What Hath God Wrought? • Neil Carstairs
Fae Visions of the Mediterranean • Valeria Vitale
Reflection • Jessica E. Birch
The Need To Stay the Same • Jo Walton
Bottom Drawer • Brett Savory
Liquid Loyalty, ten years on (poem) • Redfern Jon Barrett
Always Look on the Bright Side • Alison Littlewood
Mermaid Teeth, Witch-Honed • Benjanun Sriduangkaew
Sweet Like Fate • Sara Puls
An Unrecognized Masterwork • Bruce Boston
Je me souviens • Su J. Sokol
Lessons of the Sun (poem) • Joyce Chng
Sophie and Zoe at the End of the World • Rebecca Buchanan
Accessing the Future • Kathryn Allan
Art Attack! • Mark Harding
Slice of Life • Julie Novakova
Half Light House • James Bennett
Lifting the Veil on the Illustrators • compiled by Cécile Matthey, Serge Keller
Drown or Die • Therese Arkenberg
Easy Sweeps of Sky • Melissa Moorer
Always Left Behind • Jack Hollis Marr
Outlaw Bodies (seven prologues and an epilogue) • Lori Selke
Thick on the Wet Cement • Rebecca J. Schwab
Innervation (poem) • Toby MacNutt
Ephemeral Love • Melanie Rees
If you haven’t already seen it, don’t forget to check out the fabulous cover art by Cécile Matthey on our Press Page.
Saturday, 14 November 2015
Saturday, 31 October 2015
Staying in the Hallowe’en mood, we asked all of the TFF editors and guest editors for their recommendations of horror-themed short stories (both worldwide and in TFF’s back catalogue), for names of women and POC horror writers, for films, children’s books, artwork and videogames in this genre. Not everyone answered in every category, and the list below is just the first thing or two that each person thought of, in no particular order, and is certainly not meant to be a definitive list. Please add your own favorites or recommendations in the comments. Happy Hallowe’en!
1) Horror Stories:
- Still Life with Crows, by Douglas Preston and Lincoln Child, 2003
- Nalo Hopkinson's Brown Girl in the Ring
- Conor McPherson The Weir
- "The Performance" by Silvia Moreno-Garcia http://www.grumpsjournal.com/jue3/stories/jue3-moreno-garcia.html
- Charlotte Perkins Gilman, “The Yellow Wallpaper” https://www.gutenberg.org/files/1952/1952-h/1952-h.htm
- "Boobs," Suzy McKee Charnas http://talesofmytery.blogspot.co.uk/2013/10/suzy-mckee-charnas-boobs.html
- "When it Ends, He Catches Her" by Eugie Foster http://dailysciencefiction.com/fantasy/fairy-tales/eugie-foster/when-it-ends-he-catches-her
- "A Handful of Earth" by Silvia Moreno-Garcia http://expandedhorizons.net/magazine/?page_id=2442
2) TFF horror stories:
- Monsters, by Amelie Daigle (2013) http://futurefire.net/2013.27/fiction/monsters.html
- Not so much horror but deeply disturbing for the socio political implications — ‘Neap Tide’ by Don Norum (2009) http://futurefire.net/2009.17/fiction/neaptide.html
- ‘The Harpy’, Laura Heron (2012) http://futurefire.net/2012.24/fiction/harpy.html
- ‘Wingspan’, Aliya Whiteley (2009) http://futurefire.net/2009.17/fiction/wingspan.html
- Gabriel Murray, “Forests of the Night” (We See a Different Frontier, 2013)
3) Women horror writers:
- Mary Shelley
- Susan Hill
- Nicola Griffith
- Octavia Butler
- Cecilia Tan
- Cherie Priest
- Tanith Lee
- Wendy Wagner
4) Horror writers of colour:
- Tananarive Due
- Rani Manicka (her book The Rice Mother about the horrors of the Japanese occupation of Malaysia was so disturbing)
- Ben Okri's books are terrifying
- Benjanun Sriduangkaew
- Daniel José Older
- Koji Suzuki
- Khakan Sajid
5) Horror films/TV shows:
- A Woman Walks Home Alone at Night
- Ginger Snaps
- The Thing
- Pan’s Labyrinth
- The Hunger
- The Ring
- The Nightmare Before Christmas
- Afterlife (TV)
- Pushing Daisies (TV)
- Les Revenants (TV)
6) Horror/monster-themed children’s books:
- Les trois brigands, by Toni Ungerer (I don't know if this counts as horror, but it is a scary story that turns out to be cute in the end)
- Jan Pienkowski's Haunted House
7) Horror artwork:
- "The nightmare" by Johann Heinrich Füssli (1781)
- Any of H.R. Giger’s work
- Second illustration to “Nasmina’s Black Box” illustrated by Rhiannon Rasmussen-Silverstein (2009) http://futurefire.net/images/rr-nasmina2.jpg
- Second illustration to “Bluebird Magick” illustrated by Cécile Matthey (2013) http://futurefire.net/images/cm-bluebird2.png
8) Horror videogames:
- Eternal darkness: Sanity's Requiem
- American McGee’s Alice
Friday, 30 October 2015
If you like your horror fairly classic: more or less contemporary, and some combination of supernatural or violent, here are the stories that might be up your dark, deserted alley:
- ‘Half Light House', J.W. Bennett
- ‘Nasmina's Black Box’, Jennifer Marie Brissett
- ‘Dare’, Sophie Clarke
- ‘Final Passage’, Addison Clift
- ‘Monsters’, Amelie Daigle
- ‘Pianissimo’, Alan Frackleton
- ‘The Exaggerated Man’, Terry Grimwood
- ‘Coffin Road’, Terry Grimwood
- ‘Kemistry’, Terry Grimwood
- ‘The Harpy’, Laura Heron
- ‘Happy Days’, Jerome Kemp
- ‘Deadline’, Tom Lichtenberg
- ‘Once Again’, Allen McGill
- ‘Made Light’, Melissa Moorer
- ‘Bottom Drawer’, Brett Alexander Savory
- ‘Nettles’, Arley Sorg
- ‘The Death Park’, Duncan Barford
- ‘Lost Chapters: A fairytale’, J.W. Bennett
- ‘The Wolf Behind the Sun’, Johann Carlisle
- ‘What Hath God Wrought?’, Neil Carstairs
- ‘The Issuance of One Hundred and Thirty-Six ’, Mark Harding
- ‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor
- ‘Bluebird Magick’, Alexis A. Hunter
- ‘Until the Pit is Dug for the Wicked’, John Kratman
- ‘Only the Dogs Bark’, Dawn Lloyd
- ‘Survive!’, Cory McMillen
- ‘The Dark One's Cry’, Barbora P.
- ‘American Golgotha’, Joe Pitkin
- ‘Sweet Like Fate’, Sara Puls
And if you like a touch of surrealism or magical realism while your heckles are being raised, sample some of these other-worldly beauties…
- ‘Wings So Foreign’, Frank Ray Ard
- ‘All Along the Mall’, Chloe N. Clark
- ‘What the Dead Are For’, Terry Grimwood
- ‘Fragmentality’, Sandra M. Odell
- ‘Night Dreaming’, Steven Pirie
- ‘Wingspan’, Aliya Whiteley
Wednesday, 30 September 2015
- ‘Causeway’, A.J. Fitzwater (illustrated by Pandalion Death)
- ‘The Day the Books Left’, Simon Kewin (illustrated by Michael Csontos)
- ‘Godwin's Law’, Curtis C. Chen (illustrated by Miguel Santos)
- ‘It Kills Your Heart’, Anthony M. Abboreno (illustrated by Carmen Moran)
- ‘Crescendo’, Omi Wilde (illustrated by Martin Hanford)
EPUB, Mobi and PDF versions coming soon.
Friday, 18 September 2015
A recap of guest posts, interviews and other blog posts that were posted as part of the TFF-X fundraiser during the month of August (thanks to everyone involved!):
- Interview in Urban Fantasy Magazine
- Interview on Fox Spirit blog
- Micro-sequel Monday: “Little Match Girl, ten years on” *
- Interview with Joyce Chng
- Interview with Djibril by Jocelyn Koehler
- Friday Flash: “A Sense of Place” *
- Interview with Kathryn Allan at Twinja Book Reviews
- Micro-sequel Monday: “Galatea's Stepchildren, ten years on” *
- Ernest Hogan, "A Low Ride with Victor Theremin"
- Stephanie Saulter interviews Valeria
- Blog post at Theaker's Quarterly Fiction
- Interview with Richard Thieme
- Rebecca Schwab interviews Bruce
- Interview with Lori Selke at Apex Books
- Friday Flash: “From the Mud, Rising Bravely” *
- Djibril's Friday Five at Pornokitsch
- Margrét Helgadóttir interviews Cécile Matthey
- Su J. Sokol interviews Jennifer Marie Brissett
- TFFX writing contest
- Micro-sequel Monday: “Good Form, ten years on” *
- Quiltbag stories from the last decade
- “My Superpower” by Djibril over at Skiffy and Fanty
- Alasdair Stuart interviews Valeria
- Cécile interviews Rebecca Schwab
- Valeria interviews Vanessa Fogg
- Friday Flash: “Now Playing” *
- Serge interviews James W. Bennett
- "Keeping The Future Fire Burning" at Anne E. Johnson's blog
- Micro-sequel Monday: Rustwisdom *
- Peter Tennant interviews Djibril at "Case Notes"
- Re-opened: "Number 10"-themed writing challenge
- Tracie interviews Kathryn Allan
- Rebecca Buchanan interviews Robin
- Friday Flash: Morphic Resonance *
- Sunday Sequel: Pirate Stories *
- Microfiction Monday: 2084 *
- Dennis Upkins interviews Cécile
Tuesday, 15 September 2015
Call for Stories
The TFF-X (The Future Fire—ten years) anthology will contain 15 reprinted or slightly revised stories, plus at least as many new pieces that we hope will give an idea of the sort of things we’d like to see more of in the magazine in the future. We’re enthusiastically looking forward to the next decade, as well as celebrating the last one.
If you think you can help us to exemplify different and experimental modes/kinds of social-political, diverse, progressive and speculative stories, we’d love to hear from you. Some of our ideas are listed below. We're looking for very short pieces, so 500-1000 words is about right (or equivalent, for comics/poetry). We'll pay $20 per piece, and this call will remain open until we have the 5-10 new pieces we need to fill the volume (or until the end of October at the latest, at which point we'll have to firm up the table of contents if we’re to publish the anthology before the end of 2015). If you have any other experimental ideas—try us! Email your submissions or pitch ideas to email@example.com with a subject line beginning “TFF-X submission: (title of work)” and we’ll get back to you as soon as possible.
Genre, style or conceit (many of these can be summed up as “ekphrasis”—a representation of one art form via the medium of another):
- Story written as a theater or radio play, or as an interview
- Story written as a pitch for a TV show or web series
- Story in the form of an online user review for a science-fictional/fantastic product (hoverboard, replicator, magic wand? You can think of something more original than this!)
- Design a poster or one-page advert for a made-up book or film
- Story in the form of a critical review of a non-existent book (no spoilers!)
- Story in the form of a user guide for a videogame or a module for an RPG
- Story told via a letter or letters (letter to a magazine advice column; letter of complaint; rejection letter for a job/story/grant; letter of condolence/congratulation; any letter that isn’t just the sender telling a story to the recipient)
- Stories written largely/partly (or with dialogue) in a language or dialect other than US-English—with no apology or translation for the reader
- Bi/pansexual and trans/nonbinary characters (we do pretty well with queer representation otherwise)
- Utopian story—a world that satirizes our own by being visibly better than it in some significant way (doesn’t have to be perfect)
- Absurdist or nonsense piece—any combination of surrealism, dadaism, bizarro, dream-quest
- Horror and dark fantasy (so many possible modes)
- Poetry (any style; up to 40 lines)
- Graphic/comics story (2-4 pages)
Submission guidelines summary:
Length: approx. 500-1000 words (poems 40 lines, comics, 2-4 pages)
Email submissions as attachment to firstname.lastname@example.org
Deadline: October 31, 2015, or sooner if filled
Pay: $20 (USD) per story, poem, comic, etc.
Monday, 14 September 2015
The following message has just gone out to all backers of the TFF-X fundraiser (in case anyone missed it):
Many thanks to all of you who supported the TFF-X fundraiser, which exceeded its target by nearly $300 at the beginning of the month; you have made this anthology possible, and freed up some much-needed funds to increase the pay rate for Fae Visions of the Mediterranean as well.As noted, we have as a result of the generosity of our backers raised the pay-rate for Fae Visions to €30 per short story or poem, and €15 per flash story. The CFS for that anthology is still open for a few more weeks, and we’re especially keen to hear from any authors from the Mediterranean region, in particular those from North Africa, the Near East or Turkey, who are currently very underrepresented. It’s going to be a great anthology whatever happens, but it has to be representative of the region if it’s to mean anything.
We expect the anthology to appear before the end of the year, at which point those who backed at the appropriate levels will receive your print or e-copies of these and other Futurefire.net books. (The five-anthology bundles won’t be available until the last two volumes are published, of course.) Copies of Lowest Heaven should already have gone out to those of you who backed at those levels, and undead dolls and custom artwork recipients have been put in touch with their respective creators. If you think you should have heard from me but haven’t, please drop me an email asap, and I’ll try to sort it out.
Warmest thanks to you all again!
Tuesday, 1 September 2015
Xiomara’s Flying Circus
Pancho Villa’s Flying Circus, ten years on
Pancho Villa’s Flying Circus, ten years on
by Ernest Hogan
This flash sequel takes place ten years after the events of “Pancho Villa’s Flying Circus”, Ernest’s story in We See a Different Frontier, and was written to celebrate the tenth anniversary of TFF. If you want to see more fiction like this in the future, please support our fundraiser, where you can pre-order the celebration anthology and pick up other exciting rewards, for a few more hours only!
Mr. Burroughs must have thought he was Tarzan the way he treated Xiomara.
“You’ve done well for a hot little tamale. In just ten years, you’ve gone from a señorita in a dirty little town in Mexico to to owning a movie studio in Hollywood.”
He reached under the table.
I reached for the pistols under my silly embroidered waiter’s jacket
Mr. Burroughs’ bodyguard, a big lug who was too stupid to play Tarzan didn’t even notice me. He believed me when I said I “no espeak mucho English.”
Xiomara slapped Burroughs’ hand. “Please, Señor, we are in public!”
“We might as well be in Tijuana by the looks of this place. And call me Ed.”
“Ed. A funny little name.”
“We can’t all be something exotic like Xiomara.”
I hate the way gringos mispronounce her name.
“And I will be be the perfect Dejah Thoris!”
Mr. Burroughs licked his lips and grinned.
“So, Señor Burroughs, do we have a deal?”
“I’d love to have you make A Princess of Mars!”
“I’ll have my lawyers send you a contract.”
“Yes, yes. But first, I though we would seal this deal in another way.”
He panted a sloppy kiss on her lips, tore her dress, and squeezed a chichi.
I reached for my guns.
One of Xiomara’s eyes told me to wait.
“Señor! You are a married man!”
“My wife is more interested in making love to a bottle than me. And you inspire me!”
“Cabrón!” said Xiomara.
Mr. Burroughs whistled. His bodyguard aimed his gun at Xiomara’s face.
Her fist smashed Mr. Burroughs’ huevos as I put a bullet into the bodygaurd. Then I vaporized Mr. Burroughs with the Tesla death ray.
Cháirez and Holguín, who flew with me for General Villa, and now owned this restaurant, came out from the backroom, with guns drawn.
“Any problemas?” asked Cháirez.
I vaporized the bodyguard.
“Nada,” said Xiomara. “He thought my naglas were part of the deal.”
“That chingdera makes life easier,” said Holguín.
“Too bad,” said Cháirez. “It would have been a great movie.”
“It will be,” said Xiomara. “I’ll talk to his widow.”
Cháirez and Holguín hooted. “Viva Princess of Mars!”
“Princess?” said Xiomara. “I’d like to make her more of an empress.”
Monday, 31 August 2015
Art Attack!, ten years on
This micro-sequel takes place ten years after the events of “Art Attack!”, first published in 2007, and was written to celebrate the tenth anniversary of TFF. If you want to see more fiction like this in the future, please support our fundraiser where you can pre-order the celebration anthology, by tomorrow.
It was a bright cold day in April and the apples were bleeping thirteen. Frankie Smith, his chin nuzzled into his breast to escape the vile Edinburgh wind, slipped quickly through the glass doors of the starbucks.
The lights were off, but everyone understood there was no alternative if Starbucks was to achieve the quarter’s profit forecast. The queue for the starbucks machine was mostly women, mostly on email, spending their mcbreak with their children to top up their loyalty points, rushing their fractious toddlers round McDonald’s, Starbucks, Greggs.
The machine dribbled a tobacco-coloured liquid into Frankie’s stained loyalty cup. His chest swelled: how well they had all done to keep down the price of starbucks!
His apple angrily buzzed his backlog of netfix holoshows, he’d ran out of excuses for avoiding Dissident Hunter. But the apples were chiming the 5 Minute Love. Saved by the bell!
Everyone knelt, hands clasped before their breasts, apples borne in obeisance. The Amazon Leadership Hangout began:
O let us work harder
O let us work longer
O let us work smarter
And above all, let us do all three
A woman burst into tears as they chanted.
O let us insist on the highest standards
The weeping spread.
O let us be self critical
And above all, let us deliver results
Such wisdom! Such insight! The women sobbed uncontrollably now, olay running, garniers messed, dirtying their pradas on the grubbiest patches of the floor.
Next: the montage of heroes of post-industrial capitalism, each woman shouting to prove her employee loyalty.
Steve Jobs (Maestro!), Rupert Murdoch (Such charisma!), Jeff Bezos (Master!)…
Frankie forced his eyes to his apple. He should be harnessing his mind solely for business benefit. He tried to hold his private thoughts at bay.
…Mark Zuckerberg (Sweetie!), Sepp Blatter (Genius!), Donald Trump (Sexy!)…
Was he capable of love anymore? he wondered. He professed love, but was it real? Rupert, Jeff, Sepp. Donald Trump! If he couldn’t love gods like these, who could he love!
Frankie shivered. A woman—bans perched in her hair—was watching him. Could she somehow see inside him? Was she an Anytime Feedbacker? A Mystery Shopper?
The Love ended. Frankie cheered, plunging into a fantasy of contentment. He imagined watching Dissident Hunter, agreeing to how they portrayed him, no longer confused between his memory of those times and the holo he saw, no longer doubting the truth they told him. He imagined washing away the grit in his mind. At peace at last.
Tears blurred the view of his apple. Why had he been so stubborn? But he could win the victory over himself. He could love them.
‘Do you have a match?’ It was the girl with the bans
Frankie started. ‘I’m sorry. I’m not allowed to smoke… I have a medical certificate.’
‘Here.’ She handed him box. ‘Keep them.’
The buzzing of his apple unheard, Frankie stared at the matches, thinking of the fire he could light.
Sunday, 30 August 2015
Pirate Stories: Pirate Songs, ten years on
by Nicolette Barischoff
This micro-sequel takes place ten years after the events of “Pirate Songs”, which first appeared in Accessing the Future, and was written to celebrate the tenth anniversary of TFF. If you want to see more fiction like this in the future, please support our fundraiser where you can pre-order the celebration anthology.
“Margo Glass? My name is Anita Kelley. You’re a hard woman to track down.”
“Not really. You just have to provide me with any good reason why I should talk to you.”
“So you did get my messages. That’s good. Mother of God, it’s hot here.”
The blonde pony-tailed reporter on the other end of the call flashed a wide, white smile of all-purpose flirtation, peeling off her blazer to reveal the faded University of Polis tee-shirt underneath. You can talk to me, girlfriend. I’m one of you. I’ve even got pit-stains. Not very subtle, but Margo could tell she hadn’t meant it to be.
Above the smile, her shark-black eyes didn’t crinkle. “So, I’m guessing you know who I am, what I’ve called to talk to you about.”
“I saw you do that thing on the Mythic Labs petting zoo. Hard-hitting stuff.”
“Oh, c’mon, now, Margo.” The smile widened. “You’ve changed your number three times, put the wrong address on the University immersesite… and I’ve still managed to get ahold of you. Shouldn’t that tell you something?”
“You’re monumentally creepy.”
“Or that you should really talk to me.”
“Or that you’re trying to convince me it’ll be easier on me just to talk to you.”
“You’re right.” The shark eyes blinked. “I am.”
“Right, well… I’m hanging up. If you write some sort of Where Is She Now piece, make sure to mention how my recalcitrance is probably some sign of incipient mental illness.” Margo’s mouth quirked, and she added, “I’ve been traumatized.”
“There’s nothing mentally ill about you.”
“You’re not a liar, either. Not in the way the Russ Hour TerraFirst Podcast thinks, anyway.”
Anita Kelley shook her head so that the blonde ponytail bounced a little too gleefully. “I’m not using a phone. I’ll be able to call you back 900 times before you manage to find this I2P address and block it. You know there’s gonna be a holofilm based on Russ Windon’s book? Now, I don’t know how faithful it’ll be to the source material…”
(Margo shut her eyes and took a short, sharp breath.)
“But I can guess you’re not going to come off too well.”
“Pernicious thrill-seeking whores with borderline personality disorder rarely do.”
“That’s one narrative of what happened to you. There are others.”
Margo snorted. “Yes, I know.”
“Talk to me, and I’ll help you find yours.”
“I don’t have a narrative.”
“No, you don’t. But you should. You were kidnapped by a boatful of pirates on the edge of major colonized space who spent a week or two doing God-knows-what to you…”
“Oh, fuck you…”
“And then you floated back down spouting all kinds of garbage about secret off-world prison colonies, corrupt food-labs—”
“—which led to investigations!”
“And no indictments. Do you know why? Because you don’t know anything. Nothing. You know what you were told by a bunch of criminals.”
Margo’s mouth snapped shut despite herself.
“People need a story, Margo. You’re a politician’s daughter. You should know the only way to cut down a story is with a better story. You don’t want to be a damaged princess with Stockholm Syndrome, or a conniving bitch, we’ve got to make you into something else.”
“I don’t know what story there is to tell, apart from the one I’ve already told.”
“Well. There were fourteen other people on that ship with you.”
Margo felt herself stiffen.
“Were I you,” said Anita Kelley, “I would start with them. Every missing limb, every tangled roadmap of scars, every day of recycled water or rancid soup. And then I’d make it a little bit worse. And then I would remind everyone that while I was up there, I somehow never went a day without food, and that I came back with two arms and two legs, and factory-fresh white skin.”
Margo stared at her. “They would never talk to you. I don’t know who did talk to you, but they would never talk to you.”
“He wouldn’t talk to me, you’re right. He was very stubborn about it. Much harder to crack than you. But that’s why I’m a reporter, and he’s an out-of-work pirate. Some people need you to tell their story for them, Margo. They’re hopeless at telling it themselves.”
“If you’ve talked to him, then I can talk to him.”
“I think you understand why that’s not possible.”
Margo blinked the blur from her eyes.
“But he did tell me to tell you,” said Anita, “that his bulldog’s finally got an eye that won’t make you piss yourself.”
Margo pinched her lips together.
“Okay,” she said.
“Okay,” said Margo. “Ask your questions. Quickly.”