Joel Bisaillon, artist of “Transmogrification” in The Future Fire #70, is with us for the next in this season of micro-interviews.
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| Art © 2024 Joel Bisaillon |
TFF: How did you go about illustrating “Transmogrification”?
Joel Bisaillon: I have to be honest. It wasn’t easy. Like any piece you try to do the author justice by honoring their work with the best of your understanding. Having chosen most of my labels as a goth/punk kid, I’ve understood the labelling others cast out towards me, but I know that mine was personally elected. This isn’t that whatsoever. This is part of the character's core being and to get that right without falling into a caricature of what a straight white male might project isn’t the easiest. I want to ensure the protagonist is respected, and the story is honoured. So, in short with more hearty and thinky than arty.
TFF: What is the thing you lost and wish you could find again?
JB: Focus.
TFF: How do you imagine early digital graphics will be seen by future art historians?
JB: Unfortunately, I don’t think that digital art will be that significant to future artists or historians. I know it’s a bleak outlook but with the advent of generative AI instilling the acceptance of demanding unearned rewards without learning the skills to do so, and the fact that one can simply copy/paste digital art we have lost the ability to be enamoured by its uniqueness. Art Historians (should they recover from this) will see a “dark ages” loom over this time saturated with big-breasted inbred anime girls corrupted by the generation loss of AI feeding upon its product like Goya’s Saturn Devouring His Son.
TFF: Have you ever seen a piece of art that you wished was alive?
JB: I know I’m an odd duck for this but Diane Arbus’ photograph – Child with Toy Hand Grenade. That kid has seen some shit and needs to unleash it.
TFF: Can you tell us about an artist whose work you're particularly enjoying at the moment?
JB: Recently I’ve been enjoying the old pulp horror/sci-fi art of weird tales and one of my favorites is Lee Brown Coye. Amazing macabre black and white ink works yet whimsical.
TFF: What else are you working on now?
JB: Besides my own webcomic Eirgsmoth, I’ve a few projects due for Roses & Wildflowers Magazine. Oh and still trying to quit my day job.
Reminder: You can comment on any of the writing or art in this issue at http://press.futurefire.net/2024/07/new-issue-202470.html.
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