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Thursday 10 November 2022

Micro-interview with Adriana C. Grigore

We invited Adriana C. Grigore, author of “Seams of Iron” in The Future Fire #63, to answer a few short questions.


Illustration © 2022 Katharine A. Viola

TFF: What does “Seams of Iron” mean to you?

Adriana C. Grigore: I have some distinct memories of my grandmother reading H.C. Andersen’s The Wild Swans to me when I was little and of me being a little too enthralled by all the nettles in it each time. Lately I’ve become aware I have this fascination with curses; not just with their nature, and certainly not with how they’re broken, but with how characters manage to live in spite of them and how their lives change to accommodate them. I could make a joke and say this is me projecting my chronic pain on every character I touch, but I wouldn’t really be joking that much. Erin’s story was many things, but at the end of the day it was a way of showing that no matter how many things you carry with you, you can eventually find a place that is just the right shape for you.

TFF: Is there one of your ancestors that you would particularly like to meet? What would you ask them?

ACG: Infrequent record-keeping in rural areas around here means that once I look back more than three or so generations, it’s hard to find out much about my family, so I am not particularly picky about which ancestor I’d like to meet, as long as I would meet one. I would probably ask them something like, So what stories did your parents scare you with when you were little?

TFF: What are you working on next?

ACG: I’m currently drafting a fantasy novel about curses (as I was saying), bone magic, and various tidbits of Romanian folklore, but I have also been nursing a few darker short story ideas that I’d like to delve into very soon.


Extract:
When Erin first found the witch’s hut, it was past dusk, and birds were slicing the last spill of sunlight from the horizon, letting it fall like ribbons into the wild, rippling sea. The wind was so strong that the wood of the walls creaked, as if the hut was of half a mind to just let itself be taken away, broken and splashed into the air, like a dry image of a shipwreck. The thistle and chamomile and hyssop that lay around the garden fence were blown back from the cliffside, nearly doubled down to the earth, then shaken around, when the wind turned.

Reminder: You can comment on any of the stories or illustrations in this issue at http://press.futurefire.net/2022/10/new-issue-202263.html

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